The artwork “WAVE-FIELD” is inspired by balance, seriality and the way weight, regardless of size, affects movement.

This relates to the Nobel Prize in Physics 2015 that was awarded to Takaaki Kajita and Arthur B. McDonald for “the discovery of neutrino oscillations, which shows that neutrinos have mass”.

For a long time, neutrinos were believed not to have mass. However, when it was discovered that they oscillate, which means that they move in a repetitive way, it was concluded that they do indeed have mass. The artwork exemplifies how mass can create a repetitive movement. “WAVE‐FIELD” is a work which is grasped both at the intuitive and analytic levels. It is a work that is accessible to all ages, engaging the public on multiple fronts simultaneously.

Picture of CS DESIGN, LATERAL OFFICE & MITCHELL AKIYAMA (Canada)

CS DESIGN, LATERAL OFFICE & MITCHELL AKIYAMA (Canada)

CS Design was formed in 2008 to fill the need for local, non-partial, lighting design consultation in the field of architecture, art and urban design.

Lateral Office, founded in 2003 by Lola Sheppard and Mason White, is an experimental design practice that operates at the intersection of architecture, landscape, and urbanism.

Mitchell Akiyama is a Toronto-based scholar, composer, and artist. His eclectic body of work includes writings about plants, animals, cities, and sound art; scores for film and dance; and objects and installations that trouble received ideas about history, perception, and sensory experience.

Picture of CS DESIGN, LATERAL OFFICE & MITCHELL AKIYAMA (Canada)

CS DESIGN, LATERAL OFFICE & MITCHELL AKIYAMA (Canada)

CS Design was formed in 2008 to fill the need for local, non-partial, lighting design consultation in the field of architecture, art and urban design.

Lateral Office, founded in 2003 by Lola Sheppard and Mason White, is an experimental design practice that operates at the intersection of architecture, landscape, and urbanism.

Mitchell Akiyama is a Toronto-based scholar, composer, and artist. His eclectic body of work includes writings about plants, animals, cities, and sound art; scores for film and dance; and objects and installations that trouble received ideas about history, perception, and sensory experience.

This artwork is supported by